Bill Majoros of The Foreign Films wants to create his own musical world. That sounds like a line out of a PR one-sheet. Yet it is apt to a greater degree than one might think when considering his most recent project, The Record Collector. This epic scale collection is a six-sided, 31-track magnum opus that encompasses the pop music gamut as filtered through an ecstatic, optimistic, and wistful sixties and seventies filter.
The Foreign Films “band” isn’t really a consolidated unit in the traditional sense. It’s more of a musical approach that plays into that very same drive to create a world in a way a movie director might. The songs are little foreign films imported from Majoros’ singular imagination.
The biggest vista on Majoros’ horizon since the beginning of the decade has been an epic-scale expression of that which inspired him to become a musician in the first place; records, specifically vinyl ones. That seemed like a pretty good place to start to realize a lifelong dream of creating a self-defining work, although perhaps not the path of least resistance in the digital age. Yet the seeds of The Record Collector began to germinate anyway.
To overcome the obstacle of its own scale, Majoros wrote, recorded, and released the project in digital form bit by bit, side by side, over the course of a few years. As of June of 2018, the full-fledged 3-disc vinyl incarnation of the album containing all 31 tracks plus a lavish package that includes extras is now available, along with streamed versions and downloadble MP3s. You can also buy the set in CD form at Kool Kat Musik.
I connected with Bill via email, and asked him about the inspiration for such an ambitious project, how he approached bringing it to life, and what it took to do it.